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A Review of Charles Omoifo’s Please Remember Me (Poems)
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September 9, 2017
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Three Hundred and Sixty-Five Days After (For My Father, Pa Wilfred...
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The Writer’s Might: The Writer and the Naked Emperor
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Review: The Return of Ameze
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Pronominalisation as a Rhetorical Strategy in Tanure Ojaide’s The Fate of...
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Fiction: The Snake
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‘Words with Steel Shafts’: Linguistic Strategies of Resistance in Tanure Ojaide’s...
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Canvass For a Painter: Aspects of Graphic Representation in Niyi Osundare’s...
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“Like a Candle in the Wind…”. Funeral Oration For Dr. (Mrs)...
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In the Belly of a ‘New’ Culture: Paradigmatic Foregrounding in Sola...
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“Like a Candle in the Wind…”. Funeral Oration For Dr. (Mrs) Faith Obiageri Ibhawaegbele (1972 – 2012)
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Review: The Return of Ameze
Book Review
September 9, 2017
Fiction: The Snake
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September 9, 2017
In the Belly of a ‘New’ Culture: Paradigmatic Foregrounding in Sola Osofisan’s ‘Sin-Eater’
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Pronominalisation as a Rhetorical Strategy in Tanure Ojaide’s The Fate of Vultures
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Three Hundred and Sixty-Five Days After (For My Father, Pa Wilfred Amadin Adagbonyin, 1936 – 2011)
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“Like a Candle in the Wind…”. Funeral Oration For Dr. (Mrs) Faith Obiageri Ibhawaegbele (1972 – 2012)
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September 9, 2017
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In the Belly of a ‘New’ Culture: Paradigmatic Foregrounding in Sola Osofisan’s ‘Sin-Eater’
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Canvass For a Painter: Aspects of Graphic Representation in Niyi Osundare’s Poetry
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